Gustav Klimt
The Kiss - Pin
The Kiss - Pin
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The Kiss by Gustav Klimt
Soft Enamel Pin
1.25"
7 colors
One black rubber clutch
Backer card (90 x 52 mm)
Transparent bag with hole
About The Kiss
This oil-on-canvas created by Austrian painter Gustav Klimt has become his most popular work. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style. It was first exhibited under the title Liebespaar (The Lovers).
Besides paint, Klimt used gold leaves, silver and platinum in this work. He was inspired to use gold leaves after visiting Italian churches in which he saw Byzantine mosaics.
Klimt himself may be the man in painting, however this has not ever been proven. If it is in fact Klimt, this would be the artist’s only known self-portrait.
About Gustav Klimt
Gustav Klimt (born July 14, 1862, Vienna, Austria—died February 6, 1918, Vienna) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objects d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism.
Content
Content
How it Works
How it Works
Dimensions
Dimensions
• Soft enamel pin
• Approx. 1.25"
• Multiple colors (varies by design)
• One black rubber clutch
• Backer card: 90 × 52 mm
• Transparent protective bag with hanging hole
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About The Kiss
About The Kiss
The Kiss is one of the world's most recognized artworks. Painted between 1907 and 1908, it depicts a couple melting into a passionate embrace, their bodies entwined in beautifully elaborate robes.
The Kiss is the final painting of Klimt's Golden Period. The painting wasn’t even finished before it was purchased by the Austrian government. It is considered a national treasure.
Influenced by Japanese mosaics, the painting showcases the artist's signature gold leaf technique inspired by Byzantine mosaics in the Church of San Vitale in Italy.
No one knows the identity of the man in The Kiss: he may be Gustav Klimt himself, however it is only conjecture. There is no evidence to prove this.
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