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Edward Hopper

Nighthawks - Sticker

Nighthawks - Sticker

Regular price ¥700 JPY
Regular price Sale price ¥700 JPY
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This Edward Hopper Nighthawks sticker will add personality to your laptop, water bottle, phone or planner.

  • Printed in full colour onto a durable, waterproof vinyl. 
  • The strong adhesive backing adheres to most surfaces.
  • Original design by Today is Art Day.

Dimensions
Sticker: 3" or 7.5 cm
Packaging: 3.5" x 5.5" or 8.5 cm x 14 cm

About Nighthawks
Purchased by the Art Institute of Chicago for $3,000 in 1942, Nighthawks is Edward Hopper’s best-known work. It is also one of the most recognizable paintings in American Art.

The painting portrays people in a downtown diner late at night as viewed through the diner’s large glass window. The streetscape appears darkened and deserted.

The scene was supposedly inspired by a diner (since demolished) in Greenwich Village, Hopper's neighborhood in Manhattan. Hopper himself said the painting "was suggested by a restaurant on Greenwich Avenue where two streets meet". Additionally, he noted that "I simplified the scene a great deal and made the restaurant bigger".

About Edward Hopper
Edward Hopper (born July 22, 1882, Nyack, N.Y., U.S.—died May 15, 1967, New York City) was an American painter whose realistic depictions of everyday urban scenes shock the viewer into recognition of the strangeness of familiar surroundings. He strongly influenced the Pop art and New Realist painters of the 1960s and 1970s. Hopper was a minor-key artist, creating subdued drama out of commonplace subjects ‘layered with a poetic meaning’, inviting narrative interpretations, often unintended. He was praised for ‘complete verity’ in the America he portrayed.

Content

How it Works

Dimensions

Sticker: 3" or 7.5 cm
Packaging: 3.5" x 5.5" or 8.5 cm x 14 cm

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About Nighthawks

Edward Hopper’s most famous work, Nighthawks remains not only one of the most recognizable, but also relatable paintings in 20th-century American art. It has long been positioned as the iconic painting of loneliness and alienation.

The painting depicts an all-night diner in which three customers have converged, all strangers to one another. Hopper used his wife, Jo, as the model for the redheaded woman, and himself as the model for the man with his back to the viewer.

With no door to enter the diner, the viewer is left outside to witness the melancholy and isolation of three strangers unable to connect.  Hopper said of this painting: “Unconsciously, probably, I was painting the loneliness of a large city.”

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About Edward Hopper

Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. His depiction of American life, represented by evocative imagery, explores aloneness as proof of belonging. With subjects ranging from diners, hotel lobbies, offices, and theaters in New York City to country houses, churches, seascapes, and main streets of rural New England, Hopper’s work cleverly uses light with cinematic effect, never quite telling the full story.

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